By Michael Fishbane
An exploration of key texts representing using 3 specific literary components within the Hebrew Bible: narrative textual content; sermons; prayers and speeches.
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This King James Bible is an permitted, fine quality e-book, released to mark the four-hundredth anniversary of the ebook that actually replaced the area. in addition to maintaining the relied on King James textual content, this publication is trustworthy and uncomplicated. Its many beneficial good points include:- desk of contents for locating publication, bankruptcy and verse- seek device for locating particular passages utilizing key terms- Cross-referenced footnotes all through- British textual content and adjustable font sizes for simple clarity- instruments for highlighting, bookmarking, and writing notes
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Extra info for Biblical Text and Texture: A Literary Reading of Selected Texts
His energies and desires can be perverted; he can choose against God, himself and his world through selfdestructive overreaching. Man reaps the curses of his own misdirected will. But while the dominant focus in Genesis 2348-25 is on the first man's rebellion, something remains to be explained. Can it not equally be said that the man is seduced into rebellion by a clever creature who is part of God's creation, the serpent? Or does the serpent perhaps represent some fragment of the inchoate waste and void, some vestige of a primordial drive within nature which remained independent even after God's creation?
By contrast Genesis 1:l-2:4a, highly stylized and nonpoetic in formulation, is deliberate about the order and numeration of the events of creation, and culminates on the Sabbath day. Second, the dramatic imagery of a precreation battle-victory by the protagonist creator over a monstrous antagonist clearly circulated in many forms in ancient Israel. I t is starkly counterpointed by the nondramatic expression of divine power in Genesis 1:l-2:4a, where no antagonist is depicted. Indeed, the turbulence of this oft-recorded primordial battle fully contrasts with the orderly calm of the opening creation account in the Book of Genesis.
He must allay his frustrations a t manifest injustice so as to overcome the trial with dignity. "7 In Genesis 4:3-16, God appears as a counterforce to Cain's inner turbulence, telling him to withstand the anger he feels Narratives and Narrative Cycles towards Abel. "8 This image of sin recalls Genesis 3; coiled now a t the root of Cain's will, the serpent is in external enmity with man, as was foretold (3:15). Cain may "subdue" it, but only for a while, because the enmity is eternal, and a constant alertness and overcoming are necessary.
Biblical Text and Texture: A Literary Reading of Selected Texts by Michael Fishbane