By Eliot Goldfinger
From the writer of the vintage Human Anatomy for Artists comes this basic reference advisor that includes over unique drawings and over seventy photographs.
Designed for painters, sculptors, and illustrators who use animal imagery of their paintings, Animal Anatomy for Artists deals thorough, in-depth information regarding the main ordinarily depicted animals, provided in a logical and simply understood layout for artists—whether newbie or entire specialist. The booklet specializes in the varieties created by means of muscle mass and bones, giving artists a vital three-d knowing of the ultimate, advanced outer floor of the animal. Goldfinger not just covers the anatomy of the extra universal animals, corresponding to the pony, puppy, cat, cow, pig, squirrel, and rabbit, but in addition the anatomy of various wild species, together with the lion, giraffe, deer, hippopotamus, rhinoceros, elephant, gorilla, sea lion, and endure. incorporated are drawings of skeletons and the way they flow on the joints, person muscle tissues displaying their attachments at the skeleton, muscle mass of the total animal, pass sections, photos of stay animals, and silhouettes of comparable animals evaluating their shapes and proportions. He bargains a brand new and cutting edge part at the simple physique plan of four-legged animals, giving the reader an important conceptual figuring out of total animal constitution to which the main points of person animals can then be utilized. The bankruptcy on birds covers the skeleton, muscle groups and feather styles. The appendix offers photos of skulls with fabulous horns and antlers and a bit on significant floor veins.
Incredibly thorough, filled with crucial info, Animal Anatomy for Artists is a definitive reference paintings, an important booklet for everybody who depicts animals of their paintings.
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Additional resources for Animal Anatomy for Artists: The Elements of Form
It inserts into, and pulls, the scutiform cartilage, which is in turn attached to the ear by other muscle. It is therefore considered one of the muscles of the ear, and not a muscle that moves the eyebrow region, as in the ox. 36 INDIVIDUAL MUSCLES » FACE & HEAD DOG HORSE Lateralis nasi (Dilator nasi, Dilator naris alaris) • Action: Assists in dilating the nostril. HORSE • Structure: The lateralis nasi is less developed in the ox than in the • Origin: Upper part: From the nasal bone, along the upper edge of the horse.
Ox: Zygomatic arch and surface of the masseter muscle. the ox, the buccinator is divided into a superficial portion with vertical Dog and feline: Cartilaginous plate (scutiform cartilage) lying on the sur- fibers, and a deep portion, the fibers of which are directed forward; it can face of the temporalis muscle, located near the rear end of the upper be seen as a bulging form on the surface. In the dog, the buccinator con- surface of the head. sists of a cheek portion that is divisible into upper and lower parts that • Insertion: Corner of the mouth (slightly toward the upper lip), merging fuse together at the corner of the mouth, and a lip portion that passes for- with the fibers of the orbicularis oris.
Although typically the body. They are attached to each other at the midline below, and to not seen directly in four-legged animals, it is the termination of the the intervening sacrum above. The pelvis consists of three bones—the lower profile of the belly as the abdominal muscles (rectus abdominis) ilium, ischium, and pubis—which are all fused together in the adult. gain attachment to the front edge of the pubis. They meet at the side of the pelvis where they form a socket, called the acetabulum, which receives the head of the femur to form the hip joint.
Animal Anatomy for Artists: The Elements of Form by Eliot Goldfinger