By Michael Streissguth
In 1973, Rosanne Cash’s father gave her an inventory of a hundred songs, many from the Southern culture, that he felt a tender musician needed to be aware of. Always Been There tells the interior tale of the album that, greater than thirty-five years later, resulted from “the list.”
Based on unique interviews carried out within the studio, at domestic in manhattan urban, and on travel in Europe, Always Been There files a pivotal episode in Rosanne Cash’s lengthy and engaging profession. As she, besides manufacturer and husband John Leventhal, painstakingly reconstructs what songs made “the record” and why, we achieve an unrivaled figuring out of an extended musican continuium that comes with the Carter relations and different fabled names of the Southern pantheon and their impression on her track and writing. We additionally see how Leventhal’s skills as an arranger and musician pair with Rosanne’s looking vocal performances to make those previous songs new again.
Always Been There tracks Rosanne Cash’s singular and storied occupation from her early advertisement hits with albums like King’s list Shop via her debatable break up with Nashville culture on albums just like the mercurial Interiors to the chic Black Cadillac. It paints an unforgettable portrait of Rosanne confronting music-making within the aftermath of great mind surgical procedure, her lifelong look for her legacy, and her specific inventive partnerships.
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Additional info for Always Been There: Rosanne Cash, "The List", and the Spirit of Southern Music
A new world opened to Rosanne in New York. She took up prose writing in earnest, compiling an impressive portfolio that would 97803018523-text_Layout 1 8/27/09 10:30 AM Page 52 52 ALWAYS BEEN THERE Rosanne in Memphis, circa 1990. include essays published in the Oxford American, the New York Times Magazine, Time, Esquire, Rolling Stone, The Nation, and many other venues. Her liquid wit and wistful turns of phrase translated well to the printed page. In 1993 she finally turned in another album, The Wheel, her farewell to Columbia.
I plan on interviewing her there this afternoon, but before that she wants to stop at a small home decor store to buy a lamp for her daughter, who lives in Nashville. The bitter cold of the morning has subsided, so we march across a convergence of Ninth Avenue, Hudson Street, and West Thirteenth Street that in Europe might count for a plaza but in New York is just another spot for speeding taxicabs to mow down pedestrians. I stumble on the cobblestones and don’t know the route she wants to take, so she grabs my arm and leads us firmly onto the sidewalk on the way to her Chelsea neighborhood.
To put it bluntly, signing Rosanne must have also seemed like a plausible way to keep the Cash franchise in business. To put it even more so, Blackburn got far more than he ever anticipated. He got the woman who, for a few shining years in the 1980s, embodied country music. With the release of her first two albums—Right or Wrong (1979) and Seven Year Ache (1981)—the critics placed her somewhere in the concentric circles of the new traditionalist and new country movements, communities that communicated modernity while channeling various elements of country traditions, whether it was instrumental echoes, folk connections, or the genre’s lyrical honesty.
Always Been There: Rosanne Cash, "The List", and the Spirit of Southern Music by Michael Streissguth